Fabienne's luminous apple, a MacIntosh, was painted in the fall but I've fallen way behind in posting... so here it is at last!
She was happy with everything about this painting, especially the way it glows from within, but not the dark shadow on the right, only worth mentioning because it's a common frustration in the early stages. It's hard not to default to blues when mixing shadow colours. This can make for a darkness that looks like it's sitting on top of the colour of the object itself, in this case the red. What we want is for the red to still look red but darker...red with less light coming from within. It means deepening the mix without losing that red.
But words are words and paint is paint. I like how Laurie Anderson put it: "Talking about painting is like dancing about architecture."
I, too, like the luminosity of this painting and the subtle details she managed to show very successfully...the texture and markings on the skin and that little stem shadow that works perfectly without being too blue or too dark.
We'll come back to the subject of shadows again with Fabienne...she's on a mission now.